When
I joined the Warner Brothers Feature Animation division in 1993,
the studio was still trying to decide which film they were going
to green light. During the six months or so, before I was assigned
head of effects on The Quest for Camelot, I worked in the
visual developement department, contributing to various projects
such as Blue Beard, King Tut and Shangri-La. One
of my assignments was to create designs for the ghosts of the 8
murdered wives of Blue Beard. Click above for a larger view.
