Michel Gagné's Fine Art Gallery


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Shapes (no.1)

1996 - acrylic on board - 8" X 4"
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Three Rectangles and a Line (no.2)
1996 - acrylic on board - 6" X 8"


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Chaos (no.3)

1996 - acrylic on board - 15" X 13"
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The Holy One (no.4)

1996 - acrylic on board - 11" X 14"


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Lovers (no.5)

1996 - acrylic on board - 18" X 24"

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Cityscape (no.6)

1996 - acrylic on board - 8" X 10"


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Trapped in the Machine (no.7)

1996 - acrylic on board - 11" X 15"


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Armada (no.8)

1996 - acrylic, prismacolor and newsprint on board - 15" X 20"

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Elastic Reality (no.9)

1996 - acrylic & pencil on board - 7" x 10"
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Click on any images above for a larger view.
Notes

I began with simple themes like shapes and line compositions and quickly started moving towards more complex arrangements and compositions. These where the first 6 "official" fine art pieces I created.

I had seen how Picasso introduced newspaper in his pieces and started borrowing the idea early on with Armada (no.8). At the time, my heroes were: Kandinsky, Paul Klee, Picasso, Yves Tanguy end Max Ernst.


Excerpts from Interview with Bob Miller
Creativity After Hours: The Visual Evolutions of Michel Gagné
ANIMATION WORLD MAGAZINE - ISSUE 5.01 - APRIL 2000

"I went through this period where I really didn't want to do, not only animation, I didn't want to do realism or anything. I wanted to just go wild. I started putting blotches of color on the canvas to see how they would turn out."

"I was obsessed," he says with a chuckle. "For two years I was very dedicated. It was very freeing. Man, I didn't have to answer to anything. I didn't have to answer to any aesthetic. Anything goes. I was doing wild stuff. It was freedom. Definitely."